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The Man From Earth

2007, USA, 87 mins
Now available on DVD.

Review by Carl J. Schroeder

The buzz is going around for this new release - basically direct to DVD - of a classic style science fiction philosophy film based on a group of scholars questioning a 14,000 year old colleague. The story was the life's work of a famous genre writer, completed on his deathbed, a 1950's era author known for some of the best Twilight Zone and Star Trek episodes ever produced. Jerome Bixby's Man from Earth is totally satisfying without the need for action or special effects, because great actors are given great dialogue that engages the mind and makes startling statements about civilization and religion.

The Man from Earth is an independent film worth seeing and supporting. It harkens back not only to golden age sci-fi, but other great location-bound conversation films, like My Dinner with Andre (1981) in its restaurant, Mindwalk (1990) on an island, Between Two Worlds (1944) on the afterlife ferry, and the classic 12 Angry Men (1957) in one jury room. That last example was particularly studied, because Bixby sets this debate in a cabin in the desert thusly: Several college faculty members, including a biologist, anthropologist, and historians, follow an esteemed peer when they find him preparing to start a new life somewhere else with a never-before-seen genuine Van Gogh casually tossed in the back of his pickup.

It seems our hero, John Oldman (old-man, see, Bixby has a sense of humor), has to move on every 10 years because people start wondering why he hasn't aged. He confesses this to his friends when they pester him enough. Hey, there's a genuine prehistoric tool in your house, and a fancy bow, what gives? Oh, I'm a 14,000 year old man from the upper Pleistocene era, couldn't you tell? This leads to much great conversation. It turns out that upper Pleistocene humans were physically indistinguishable from modern humans, so maybe the best darn looking cave man really is the star of our movie. What's more, this guy knew Van Gogh, Columbus, the Buddha, and Jesus. So hang on for a wild ride of speculative historical revisionism.

Since this is the first time our cave man has revealed all, there's lots of emotional fallout to reckon with. Which makes for more great conversation, and theatre. The academics have to agree with John's facts but conclude he's delusional. Just memorized books, only imagined he saw the tectonic plates move, for example. One historian calls over a psychiatrist who turns out to be unstable with a gun, not a good combination. Then there's the young attractive woman who confesses her love for John which is so true that she won't mind growing old while he doesn't (yeah, but will he?). The showstopper comes when the old Christian lady gets so upset at the blasphemy that she breaks down sobbing. She doesn't want to hear John's firsthand accounts of how her religion got inflated from non-miraculous simpler events.

Here The Man from Earth becomes The Da Vinci Code (2006) in another direction, say, atheism instead of new age feminism. It's interesting to note how atheist themes are getting more recognition in cinema lately, basically as backlash to fundamentalism. The new family fantasy The Golden Compass (2007) is being debated as an atheist's reply to the righteous morality of C. S. Lewis and Tolkien, and the sci-fi thriller The Mist (2007) proves that one crazy church lady can be more dangerous than a whole lotta inter-dimensional monsters. Folks of faith can get offended or learn a new point of view. The documentary The God Who Wasn't There (2005) covers similar territory as The Man from Earth, name dropping a multitude of mythological precedents for the Jesus story. The 14,000 year old man has been through all the civilizations, so he knows this stuff without having to read the works of Robert M. Price.

I take no offense, I just wonder why in 14,000 years John Oldman hasn't once had a near-death experience, or entheogenic revelation, or mystical awakening, or something to make him a little more sympathetic to theism. Maybe it's because he, like Jesus, was strictly Buddhist (the lost years theory), or more likely this very personal story was the death bed catharsis for an agnostic sci-fi writer. More context reveals that the film was shot for very little in just over a week. Veteran actors, many recognizable, turn in decent performances that probably would have been better if time had allowed. Everyone is giving a labor of love, which is how films like this can shine.

The Man from Earth is gentle, moral, thought provoking, funny, and even has a good ending. The DVD comes with four valuable extras too, so enjoy at your favorite rental or purchase at amazon here.


Carl Schroeder publishes the MysticalMovieGuide.com website, which researches and reviews thousands of films with intriguing psychological and spiritual themes across all genres, countries, and styles - plus tips on where to find them.

 


Toothpicks, 2007 - 60" x 99" - Depicts 8 million toothpicks, equal to the number of trees harvested in the US every month to make the paper for mail order catalogs.

Running the Numbers

An American Self-Portrait

by Photographer/artist Chris Jordan

This new series looks at contemporary American culture through the austere lens of statistics. Each image portrays a specific quantity of something: fifteen million sheets of office paper (five minutes of paper use); 106,000 aluminum cans (thirty seconds of can consumption) and so on. My hope is that images representing these quantities might have a different effect than the raw numbers alone, such as we find daily in articles and books.

Statistics can feel abstract and anesthetizing, making it difficult to connect with and make meaning of 3.6 million SUV sales in one year, for example, or 2.3 million Americans in prison, or 426,000 cell phones retired every day. This project visually examines these vast and bizarre measures of our society, in large intricately detailed prints assembled from thousands of smaller photographs. My underlying desire is to emphasize the role of the individual in a society that is increasingly enormous, incomprehensible, and overwhelming.

My only caveat about this series is that the prints must be seen in person to be experienced the way they are intended. As with any large artwork, their scale carries a vital part of their substance which is lost in these little web images. Hopefully the JPEGs displayed here might be enough to arouse your curiosity to attend an exhibition, or to arrange one if you are in a position to do so. The series is a work in progress, and new images will be posted as they are completed, so please stay tuned.

~chris jordan, Seattle, 2007 www.chrisjordan.com

ED. Note: Please know that the pictures in this series are not "Photoshop creations." What you're looking at is the actual number of actual toothpicks, cans, cell phones etc. as enumerated in the captions.


Click on any image below to see all images in a larger size.

Plastic Bottles, 2007
60x120"

Depicts two million plastic beverage bottles, the number used in the US every five minutes.

Partial zoom:

Detail at actual size:

 

Paper Bags, 2007
60x80"

Depicts 1.14 million brown paper supermarket bags, the number used in the US every hour.

Partial zoom:

Detail at actual size:

 

Cell Phones, 2007
60x100"

Depicts 426,000 cell phones, equal to the number of cell phones retired in the US every day.

Partial zoom:

Detail at actual size:

 

Office Paper, 2007
60x87"

Depicts 30,000 reams of office paper, or 15 million sheets, equal to the amount of office paper used in the US every five minutes.

Detail at actual size:

 

Cans Seurat, 2007
60x92"

Depicts 106,000 aluminum cans, the number used in the US every thirty seconds.

Partial zoom:

Detail at actual size:

 

Denali Denial, 2006
60x75"

Depicts 24,000 logos from the GMC Yukon Denali, equal to six weeks of sales of that model SUV in 2004.

Detail at actual size: (This is the far left corner of the lake)

 

Ben Franklin, 2007
8.5 feet wide by 10.5 feet tall in three horizontal panels

Depicts 125,000 one-hundred dollar bills ($12.5 million), the amount our government spends every hour on the war in Iraq.

Partial zoom:

Detail at actual size:

 










   
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 


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