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The Last Mimzy is being billed as a kids movie, but it’s the most spiritual studio film I’ve seen in a decade and it’s definitely appropriate for adults. So don’t shy off this one just because a kid isn’t dragging you to it!

The film stars Timothy Hutton and Joely Richardson as Jo and David Wilder, parents living a fairly normal, upper class Seattle existence with their two small children, Noah (Chris O’Neil) and Emma (Rhiannon Leigh Wryn). The kids are special from the beginning in a normal sort of way; Emma, at about 6 years old, is developing into a violin prodigy while Noah, at 10 or 11, is obviously above-average intelligent. Noah, for some reason, is not excelling in life and there’s a suggestion that the stress due to family tension is affecting him deeply. The two kids bicker and fight as siblings do, while dad is overworked and mostly absent and mom is missing the relationship they had before the kids arrived.

And so it goes, until one day Noah and Emma find a special kind of box in the surf at their vacation house on Whidby Island. The box is obviously not from here (it brings to mind a kind of un-crackable genetic puzzle- technologically advanced yet beautifully organic). Somehow they are able to get it to open, and what’s inside is worth the price of admission. The magic of these scenes expands beyond the fantastical objects into the relationship between the siblings as Noah and Emma slowly begin to transition from feeling like opposites in enemy camps to becoming a team, depending on each other with respect and love. This is one of the greatest gifts of the movie, not because it hasn’t been done before, but because of how well it’s done here.

The gifts in the box begin to affect Noah and Emma’s behavior in strange and wondrous ways, creating a whole new issue for the parents. At what point do you decide that a child’s behavior is truly out of the ordinary, so weird that it’s on the verge of becoming a little scary? I love how this film skirts this edge, blending the politically correct response of parental acceptance and unconditional love with the freak out, must-see-a-doctor-now-to-start-some-tests parental response. Again the inner journey of a family coming to trust and depend on each other is the heart of the message here, while sci-fi computer graphics go on to entertain our more reptilian brains.

As Noah begins to excel wildly in school, his science teacher, Rainn Wilson (The Office) and his wacky girlfriend, Kathryn Hahn (How to Lose a Guy in 10 Days) begin to take an interest in his transformation. Wilson is so believable as a science teacher, while Hahn represents the necessary element of “woo-woo” spirituality that brings the film together.

I won’t tell you any more of the story for fear of giving away too much. Suffice it to say that the film is action packed, relevant and heart felt, start to finish. Though I heard some restlessness in the theater during some parts, my daughter and I were glued to the screen till the end.

Academy Award winning screenwriter Bruce Joel Rubin, who has penned such spiritual cinema classics as Ghost, Jacob’s Ladder and My Life, does not waste one word, one look, one moment in the action of this film. Everything is purposeful and artfully placed within this story, creating a beautiful trust with the audience.

In our May Volume the Spiritual Cinema Circle is proud to feature Illusion, starring Kirk Douglas and Michael Goorjian in a powerful father/son tale of forgiveness and redemption. In what he claims to be his last screen performance, Douglas plays an aging film producer who is visited by a long-time deceased friend (think ghost of Christmas past) who takes him to the halls of the Akashic Records: A movie theater where our lives have been recorded on film. This ghost has a mission, and the life he chooses to screen is not the life of the movie producer himself. Instead he shows snippets of the life of his unclaimed son (Michael Goorjian) who is in dire need, right now, of his father’s acknowledgement and help. This is an action packed, soul-stirring film that will prove to be a spiritual cinema classic.

Also on Volume 5, 2007 are three diverse and entertaining shorts that you will not find anywhere else. City Paradise from London is a beautiful animation mixed with live action fantasy, while Awakening brings us healing through the paranormal and Thank Heavens from Italy brings us a much-needed humorous perspective on life, love and whining. Enjoy!

Anna Darrah is a movie reviewer and director of acquisitions for the Spiritual Cinema Circle. She has produced two documentaries that have aired on the Sundance Channel. For more about Anna Darrah and the Spiritual Cinema Circle go to: www.spiritualcinemacircle.com

 

 
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The Science of Oneness: A Worldview for the Twenty-First Century

By Malcolm Hollick
New York: O Books, 2006
Review by Ron Miller

Starting in the 1970s, a “holistic” philosophical perspective began to emerge in the work of leading-edge scientists, psychologists, religious thinkers, educators, and researchers and practitioners in various fields. Malcolm Hollick’s new book, The Science of Oneness, is one of the clearest descriptions of this worldview that I have read in the 25 years that I have been working with these ideas.

Hollick, an interdisciplinary scholar who has taught for many years in Australia and the U.K., surveys the breakthrough discoveries and radical theories on the frontiers of postmodern science, explaining how each one points toward a meaningful cosmos, a universe that is interconnected, evolving, and guided by coherent patterns rather than dull randomness. Quantum mechanics, systems theory, chaos theory, the phenomenon of self-organization, ecology and cosmology are providing evidence for a holistic worldview, one which sees the universe as dynamic and unfolding, with consciousness playing an active and formative part.

Mainstream science continues to adhere to a mechanistic worldview, seeing the universe as a purposeless arena in which purely physical forces interact and, thanks to chance events, shape the formation of worlds. But the complexity and unity of the cosmos, as we are beginning to understand it, suggest that this interpretation is inadequate. Hollick points out, for example, that the odds against life emerging through a series of chance events “are astronomical” and that it seems more likely “that evolution has a definite direction towards complexity, life, and consciousness.” Where did this direction originate? We don’t know. The holistic worldview holds great respect for the ultimate mystery of it all.

Indeed, Hollick remarks that “we cannot know what wonders still lie in store,” and this open-ended attitude challenges the orthodoxies of our times. In the modern world, mechanistic science, technocratic politics, authoritarian institutions, economic materialism, and standardized education bolster an established worldview that resists transformation. Perhaps modest social progress is allowed, but radical, uncharted shifts of consciousness are incomprehensible. The science of oneness—the holistic worldview—recognizes that transformation is the vehicle of the mysterious process of cosmic evolution, and we just do not know what “wonders” are possible for humanity; perhaps even global unity and peace are on the horizon.

When we take mystery and transformation seriously, we will not be so dogmatic about our beliefs. The science of oneness, says Hollick, “takes nothing on trust, continually challenging and questioning what we think we know.” The only real way to grasp the complexity of the cosmos is to seek to know it through multiple channels, subjective as well as objective. Hollick emphasizes the need to balance and integrate what in modern thinking are seen as opposing polarities, such as intellect and intuition. Every particular view of the world gives only a partial truth, and so there is a need for cooperative inquiry, in which we compare our different perspectives and try to arrive, provisionally, at the most reasonable and widely relevant ways of understanding.

According to this holistic epistemology, the deepest knowledge comes through an experiential, give-and-take relationship with the world and with others’ experiences of it. This is wisdom, “a living response to that which is known that engages our bodies, emotions and spirit as well as our minds. It is a dynamic process that changes and develops with time.” Holism, then, does not encourage fixed ideological systems or standardized responses to the challenges of living and learning.

Hollick goes on to describe a way of understanding spirituality that transcends the limiting categories of religions, dogmas and rituals. Established traditions, he says, “are not definitive. They are products of their particular cultures and times…” Spirit itself, the ultimate essence or source to which spirituality aspires, “is not a dictatorial Creator, but the instigator and sustainer or an experimental creative process. . . Higher spiritual states are not predetermined but emerge through communion and cooperation with each other and Spirit.” This is, truly, a wonderful experiment, the outcomes of which we cannot entirely fathom in advance.

The Science of Oneness is coherent, comprehensive and straightforward, but it is not always easy to digest. The chapters on cosmology and breakthrough theories in physics are dense, because these conceptions are mind-blowing. Trying to grasp the possibility of multiple universes, the meaning of “dark matter,” or the “nothingness” that existed before the Big Bang is like trying to solve a Zen koan; ordinary logic and experience are inadequate. Although postmodern science is an integral element of the holistic worldview, I have always struggled to understand the specifics of it, and even Hollick’s presentation left me struggling. But he does get across, quite effectively, the dramatic implications of these new conceptions of the cosmos. He very clearly demonstrates that the mechanistic worldview is incapable of embracing the mysteries of Creation.

I hope this will be in time for some acknowledgement in the forthcoming issue of TGI. I just heard that The Science of Oneness was joint winner of the Scientific and Medical Network book prize for 2006 (with Cosmos and Psyche by Richard Tarnas)


Busting Loose from the Money Game

By Robert Scheinfeld

Book review by Cate Montana

When I was first handed the book Busting Loose From the Money Game, I thought, “Oh great. Another financial advice book about how to manage my income.” I couldn’t have been more disinterested or more wrong.

Busting Loose From the Money Game is not a book about how to manage finances. It’s a book about managing your mind. It’s a book about exposing the social and neurological network humans have created around the whole concept of money. It’s about setting people free from the limiting thoughts that squeeze the life out of their money flow, their creativity, and their happiness.

The key point in the book is that consciousness creates everything you experience, including money. Scheinfeld points out that the Money Game, which is embedded in a larger game called The Human Game, is currently designed to make us believe just the opposite. It is designed to prove to us over and over that we are powerless in life; that we are constantly at the mercy of externals; and that our only role is to react to what life serves us.

Lucidly and logically Schiefeld demonstrates how The Money Game has been deliberately designed as a game that humans can only lose. To prove it all you have to do is take a look at the rules: there’s a limited supply of money available; money is somehow separate from us and we must go after it; we must work harder or smarter to increase our supply of money, and we can’t just have anything we want in life, everything is purchased at a price. There is no clear definition of what constitutes “winning” and no matter how much money you accrue or invest, it’s always still at risk.

The Monday Game is designed to get us to convince ourselves that our perceived limitations are real. Scheinfeld shows us how to bust loose from that belief system by focusing on the only thing that really is real: our thoughts and our beliefs … in other words, our consciousness … the tool that created The Money Game in the first place.

Writes Scheinfeld, “In Phase 1 (of The Money Game), you told yourself over and over, adinfinitum, ‘money is real, the checking account is real, the numbers are real, the money game is real.’ In phase 2, you reverse the process and repeat to yourself over and over, ‘It’s an illusion, it’s an illusion, and I’m creating it, I’m creating it,” as you reclaim your power from it.”

Not only does Schenifeld dissolve the illusions around money, he outlines a series of self-coaching steps to give readers real tools for empowering themselves as the creators of their own lives, as well as for changing their minds about money. A powerful and life-changing book, I can’t recommend Busting Loose From the Money Game highly enough. Read it – and get copies for your family and friends – because once you loan it out, you’ll never get it back.

 

 








   
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 


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